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In early April 2024, I took advantage of Leo Núñez’s visit to Seattle to sit down for a conversation. The Argentine artist was at the McMahon Laboratory of DXARTS (University of Washington), collaborating with Juan Pampín on their work “Una y otra vez” (Time and Time Again).
In May 2024, we connected via Zoom to talk: Doreen Rios from San Diego, where she is pursuing her PhD in art history, and me from Seattle, where I was pursuing mine at DXARTS. I prepared myself by reading Doreen’s texts, such as Unpacking Mexican Media Art and her essay on Dataspace, which were in direct dialogue with the questions that guide Disobedient Robots.
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